Wednesday, July 27, 2011
Into the future
Tuesday, March 9, 2010
Everything is still growing
I love rainy season. That’s the growing season in Southern California. Poppies sown three winters ago have been blooming for almost a month it seems, on York Boulevard, and parts of South Pasadena, but not always where you’d expect.
Most of the poppies that remain are in window boxes and areas with high reflected heat (sidewalk cracks) on the north side (South facing side) of the street. In areas where they’ve survived with no input from myself or other gardeners, introduced annuals such as sowthistle and mallow, may eventually squeeze them out. But it’s hard to say. In some areas where they’ve always been outnumbered by fast-growing grasses, they’ve held their ground.
In the regularly maintained planter boxes of the Foursquare Church “The Rock” on York, the gardener has accepted them and now weeds around them.
At York Boulevard Post Office, my favorite location, someone beat me to installing a complete landscape. They came in and took out every piece of the red apple succulent that once covered those planters. They laid down a thick layer of mulch and planted a variety of fun drought tolerant things: lavender, rosemary, pelargonium, perovskia, aloe, and native salvia. This gardener laid down a calling card in the form of a big rock painted with this address: farmerdavesgardens.webs.com.
Dave is regularly maintaining the plot, and is allowing some of the poppies and cornflower that have reseeded last year to remain in the garden. It looks great and I couldn’t help but to smile at all the colors and textures when I went to buy stamps this morning. The stamps I bought said “C-E-L-E-B-R-A-T-E”… I will think of our lovely York Boulevard “community garden” when I use those stamps.
In the slide show above (on the right hand side bar) are a couple pictures of the York Boulevard local government branch "community garden" from 2007. Since 2003, it had been nothing but one rhaphiolepis and red apple succulent. I learned the latter had been originally planted by a postoffice worker just to improve the neglected space. In 2006, I approached the postoffice with a proposal to install a native design by Orchid Black, and other permaculture- inspired furniture. Though we got a positive response, we could not get final official approval. In 2007 some friends helped clear out modest patches of the succulent for an experimental seeding in poppies. Spring 2008 was the peak of the planting which I called “Everything is Still Alive”, and poppies bloomed for blocks in any open dirt space where residents and business owners allowed them to bloom. In 2009, I stopped the input of labor except for sprinkling in a diverse mix of wildflower seed at the postoffice and across the street to add color—all things which would bloom profusely with no input but what the sky offers: Cornflowers, clarkia, tidytips. Later that year, Farmer Dave took out the succulents and rhaphiolepis and is now promoting it as a permaculture design. This is going to be it’s best spring ever!
When I started planting poppies in 2007, just about everyone I talked to on York encouraged me, but also warned me that the flowers would likely be stolen, stepped on, or otherwise vandalized. To the contrary, the calling card stone Dave installed looks as good as on day one. And the vulnerable newly planted shrubs are gaining strength during the rainy season.
I’ve added a cutting of Dave’s zonal pelargonium to the Pelargonium Exchange project. This is a garden for sharing pelargonium cuttings and their stories. It doesn’t have a permanent home in Los Angeles yet, but as Robert likes to quote from the Karate Kid, “Buddha will provide.”
For the Pelargonium Project, see:
myriadsmallthings.org/pelarg.html
Tuesday, July 28, 2009
Summertime
Sunday, May 10, 2009
Year Two and the Multi-Continental Wildflower mix
Poppy season on York began earlier than last year. Generally speaking, it went from January to April. The most floriferous sites this year included the empty lot on Nolden, and the flower boxes at Childs' and the Church, where the orange of the poppies perfectly echoed the color of the boxes of oranges set out daily in front of the corner grocery store.
In just a couple spots the show this year was greater than last year. But lack of weeding made a big difference almost everywhere. Weed competition reduced the vigor and visibility of the blooms.
Other than a couple strays, poppy season on York is over, former spots of brilliant orange superseded by a monotone shag of dried grasses. Several former poppy sites have been concreted over or razed for other purposes. The fresh bare dirt just screams for replanting.
In South Pasadena, there were quite a few poppies in March and April. For a brief week or so there was a pretty good show on two South Pasadena traffic islands. Poppies appeared out of a crack in the asphalt on a major intersection. The other traffic island had no blooms last year. But miraculously, there appeared an even sprinkling of tiny tiny orange poppies on the island this second year, even amongst dense growth of grasses and erodium.
Chemical spraying reduced what had been a dramatic show of orange in front of South Pasadena Nature Park last year to only a very light show this year.
Ironically, chemical spraying often does nothing to decrease the number of weeds, because the people who spray typically are not paying attention to the lifecycle of plants. Since they often spray after the weeds have already dispersed their seeds, there will be just as many new weeds next year.
As for our elite estate community of San Marino- the street maintenance people in that neighborhood are skillful and thorough! There was not a single repeat bloom in that neighborhood.
---
A couple people, not from the immediate neighborhood, offered to help water the poppies. This made me think of how in our culture we are taught from very early on to associate the image of the watering can with the tending of plants and the idea of caring for living things.
Yet it's not water that the poppies really need-- they are happy to subsist on rain alone. Extra irrigation merely helps them get bigger and extends their bloom time. What they really need is protection from weed competition.
If not the watering can, what kind of image could symbolize the tending of plants that were actually designed to grow in our environment? If not for our interventions (the importing of livestock, building of houses, roads and lawns), such plants might still be prevalent in our city.
---
This year, in a couple choice locations on York Boulevard, I sprinkled a wildflower seed mix, hoping for slow waves of color as spring progresses, in true old-California style. Both these locations benefit from some extra watering, the first because of Nanette, who keeps the street beautiful, and in the other location, because of the occasional watering of people I've not met yet.
The only mix at Home Depot was labeled "Southwest Desert Wildflower Mix and was predominantly composed of California natives. I did get a nice sprinkling of yellow tidytips and blue phacelia, even a pink clarkia or two to complement the poppies. But unexpectedly I also got flowers that were not native to California or even to the US.
Unbeknownst to me when I grabbed the packet in the store, the mix included all sorts of other things which the Stover Seed company considers suitable to the climate of the Southwest. Exceedingly prolific in this mix were blue cornflowers and red flax, both European wildflowers. Another Old World favorite, the red poppy, papaver rhoeas, is about to bloom on York!
The mix also includes Dimorphotheca sinuata, an African daisy. I fear African daisies are becoming a California native pretender in my neighborhood. On a hill south of Eagle Rock, which has benefited from native plant restoration efforts, someone has sown African daisies for the last several years. The first year, the bold colors and markings of the flowers left no doubt as to their identity as African flowers. They were colorful in a cheery way, but added a touch of free-way to what I wanted to think of as a "natural" area. This year, climbing up the hill to the same spot, I was surprised to see what appeared to be a whole field of poppies where there had not been poppies before. Upon closer inspection, I discovered only a field of African pretenders in the exact orange hue. A cruel joke!
The combination of colors and forms in this multicultural Southwestern Desert mix don't have the same charm as native wildflowers. Next year I'll drive the ten extra miles to get a wildflower mix from Theodore Payne Foundation, instead of Home Depot.
Thursday, January 22, 2009
Rogue blooms

Friday, July 25, 2008
Summertime
Monday, May 5, 2008
Wildflower hotline: May News






Sunday, March 30, 2008
Wildflower hotline: Urban wildflower tour scheduled









Saturday, March 15, 2008
Wildflower hotline: The poppies are talking
The poppies are talking to us. Their petals open wide as the day begins. They curl tightly shut as the day ends. Contrary to what people say, California poppies make great (but delicate) cut flowers, and will continue to open and shut even when indoors. Mark time with the poppies.
Not all the sites I tended are blooming. This artists' studio below was one of the first sites prepared and planted. Despite that many seeds germinated, and that it was one of the sites were I spent the most weeding hours, including reseeding and even transplanting from other sites, no poppies grew. I wonder if this local bird can tell us why? He was having a great time pecking at the ground.
I complimented them on making good use of a very nice lawn in a neighborhood where the nearest park is.... Hey, come to think of it, there is no nearby park.
This ivy-covered yard was the very first site planted. This is one of the few instances where there is clear communication between the very kind property owners and their gardener. Though it's in full sun and is well-tended by the gardener, only a few flowers are showing. So far.
For an even bigger show, involving California poppies among myriad compatriot California plants, look around the corner on Milan Avenue!Tuesday, March 4, 2008
Wildflower Hotline: Stray blooms

Thursday, February 21, 2008
Alone together
OK, I am not always crushed...I guess there are some great moments you and I have out there. Like the time when we cooperated and you let me cut in front of you so I could merge onto the 110 South from the 5 freeway during rush hour? Or when you try to communicate with me by honking your horn (are my lights off?), waving your fist out of your car window (??), or pulling up beside me to look me straight in the eye (Oh).
One of my favorite moments is when we hear an ambulance siren far off and we decide to pull over together and let the ambulance go by. I love waiting with you alone in my car on the side of the street.
Most of the time, though, I want to just be able to ignore you-get out of my way, just move faster, why are you turning left right NOW?, fuck, asshole, you almost hit me!!!
Why, when I start my engine, do all of you out there suddenly become my competition, my pest, my co-dependent and sometimes, my savior?
Friday, February 15, 2008
South Pasadena Wildflower Update

This is one of the sites that was planted earliest, and where the poppies had been doing well. The owner is supportive of the poppies, but it's not clear how well the gardener understands the project. It looks like the poppies have been mowed! They are surviving, but shorter.... I'll need to call to find out what happened.....
Sunday, February 10, 2008
Highland Park Wildflower Update





Saturday, February 9, 2008
Elana's trip to Ecology Auto Wrecking
Monday, January 28, 2008
January Rains

It's been two months since the first seeds were sown.
Monday, January 7, 2008
shadowy impressions on sunset
I began the experiments this week, setting up the pinhole camera in the back window of my car. The darkroom is not yet ready, so the irregularly cut paper negatives (done with scissors in the closet!) have jammed a bit in the 4x5 holders. Today the camera slid, then flipped, as I took the big curve down Sunset heading up to Westwood. Though I'm interested to see those results, I have remedied this erratic variable with two strong strips of velcro. It has made my own commute more interesting certainly, as I study the drivers behind me, wondering if they imagine me a tool of the surveillance environment; if they know split-second traces of their faces, headlights, hood reflections will reappear in some form in chinatown. Tomorrow I will process the first four tests and hope the rain allowed for an initial phase of shadowy impressions on sunset.
Saturday, December 15, 2007
Everything is still alive
In Highland Park, many of the plots I am tending are no bigger than a tree well, or a crack in the cement. It is incredible how much trash can accumulate on these sidewalk plots even during the course of a day. Imagine what the streets might look like if many of the business owners weren't clearing this trash every single day. "I do this every day because I love Highland Park," the owner of the Party Goods store told me.Tuesday, December 11, 2007
A to B / LA to TJ
Having to commute between the US and Mexico in an almost daily basis seemed normal when Bulbo had a studio in Tijuana, Mexico and a space in San Diego. Until our commuting habits were dramatically altered once we relocated to Los Angeles.
Since the summer of 2007, our lives have been changing at a fast pace, and commuting has been an important subject in adapting to our new environment. Not only do we share a car and carpool but we also use bicycles as our second option of transportation.
Once settled in the city of Los Angeles, we slowly discovered ourselves as part of a network of more people from Tijuana who have also moved to the area. A small community with whom we share experiences, many of them about commuting between both cities.
Bulbo´s proposal for A to B consists of creating a video exploring the lives of people from Tijuana who relocated to Los Angeles. Addressing the reasons and implications of commuting between both cities and how it affects their lives.
The video is thought of as a result of the relationship bulbo has with the people who might be involved, but also about creating the environment to speak about these issues while recording the experience. The final work will be a 4 to 5 minute piece ready for broadcast on the Internet or Television.
Sunday, December 9, 2007
Travelogues are made for the purpose of documenting a journey, a desire for adventure, pleasure and knowledge. Its open narrative form involves an autobiographical element combining life, performance and representation.
For some time I have been interested in incorporating ideas related to travelogue and ethnography in my work. For A to B I plan to investigate the mobile space of the commute in Los Angeles by exploring three routes (river, railroad, freeway), solitary and collective modes of transportation (walk, train, car) from my house in Altadena (mountain) to Long Beach (river mouth). Although the routes have the same beginning and end point, for the most part they run parallel to each other. They are: Walk (Arroyo Seco-LA River); train (256 Metro bus-Gold Line-Blue Line); car (I-710 Long Beach Freeway).
I will use a video camera to document my journey(s); a search for events, people, sights and the empty melancholy of the city itself. As in early travelogues, the video will consist of long shots with no camera movements and formal compositions. Through traveling I will confront myself as artist, tourist, ethnographer and wanderer. From “foot-slogging” to modern modes of transportation, the travelogue will present a look at the physical and social landscape inquiring about how the route and the experience of the route changes depending on the mode of travel. It will also reflect on how LA has developed and changed over time and how our way of moving through space has changed.
In addition to the video, I plan to print a map suggesting a series of points of interest to be distributed to FOCA visitors and in the commuters’ routes. Similar to a travel guide, the map will contain historical and cultural information gathered during my research as well as personal stories or insights collected during the trip. Besides mapping the space of the commute, the project will also intervene in it by encouraging new ways of looking at the space of the commute and experiencing the city.
Ultimately the project will provide a portrait of Los Angeles reflecting on issues of stasis and motion, physical and mental movements, self and other, the familiar and the new, geography and social inequality, all of which are embedded in the commute and in the different routes we take on a daily basis.



